Daughters of Satan

A moody, occult-tinged slow burn that blends supernatural dread with 1970s folk horror atmosphere.

• Features a rare lead turn by Tom Selleck in his early, pre-Magnum P.I. days, adding unexpected gravitas.
• The film’s eerie witchcraft narrative taps into early ’70s anxieties around female empowerment and religious paranoia.
• Practical effects and period-appropriate production design evoke a tangible, unsettling sense of cursed history.
• For fans of cult occult cinema like The Wicker Man and Burnt Offerings, it’s a hidden gem that leans more on creeping dread than shock.